Showing posts with label Man Plus. Show all posts
Showing posts with label Man Plus. Show all posts

Saturday, December 13, 2008

Music: Top Albums of 2008: Number 15


The top albums of 2008 countdown begins right now!

At number 15 we have the Seattle bred post-apocalyptic dance-pop group Man Plus with their album, The Hungarian Suicide Songbook.

There are not many albums that were released this year that can boast as a fact that every single one of their tracks has been played on a popular radio station. Man Plus can make that claim with not only their full length album but also with the remixes that they have freely made available online throughout the last half of the year.

Billie Holliday allusions aside, this album is Manat's danceable beats and Jared Mills sexy growl of such lyrics as, "What I like about funeral roses, buy them once and you'll never grow older," and "Do you like how you look? Cause you look like a whore!"

I would tell you to check out their live show in the near future, but the band is currently overseas in Japan recording their follow up to this year's hit album. Once they return to the states do remember that Man Plus put on a can't miss live show.

Saturday, September 6, 2008

Music: Man Plus Remix Album FOR FREE!!!


The fine folks over at Man Plus headquarters have contacted me, and they have asked that I share their remix EP with the fine readers at Where the Silence Is.

It's a zip fileof the remix version of five songs from the album The Hungarian Suicide Songbook. Did I mention that it's free?!?!

Seriously, download this, and then go see Man Plus at one of their upcoming Seattle dates:

9/12 - Britney Spears Cover night @ Mars Bar
9/13 - KEXP Midday Dance Party @ Nectar
10/4 - Reverb in Ballard
10/31 - Halloween Show(!) at the Comet

Sunday, August 17, 2008

Music: Man Plus Live at the High Dive with New Faces, Elba, and Paris Spleen



Last night's show at the High Dive in Seattle was cause for a long night. There were 4 bands on the bill with Man Plus headlining. I was under the impression that the headliners were going on sometime between 10 and 11, so I arrived at the High Dive around 9:30. Upon walking in I could tell that none of the bands had taken the stage.

The first band up was Paris Spleen. The person at the bar next to me offered to bet that, "One, if not all three band members will have their shirt off by the end of their set." It's a good thing that I didn't take it because the guitarist walked on to the stage sans shirt. They are a 3 piece who I was told have been touring on the same 4 song EP for over 3 years now. Those 4 songs were obviously the most polished of their set, and they played a very straight forward classic rock inspired sound. The talent is definitely there, and I look forward to new material for them.

Next up was Elba, who for the most part were a 3 piece, but for about a third of their set they had an additional musician on stage to either add a second guitar, or to free up the main guitarist to attack the keyboard. They should really consider being a 4 piece the entire time, as the addition of keys gives them a much larger and more dynamic sound. They were very good, and they gave away copies of their CD, "An Avalanche". I picked up a copy, and if it's worth mentioning I'll do a future write up on it as well.

Last night's show also served as the CD release party for local band New Faces debut release on Loveless Records. Again with the 3 piece band, these guys are all 17 years old, and they fucking rock. They have a real playful crunchy guitar sound that is reminiscent of bands like Tokyo Police Club. Their lyrics are beyond their (under)age, and they tackle topics of love and lust like vagabond musicians who are twice their age. I'm not sure if they sold out of their CDs, or if they just packed up and left before I made it over to the merch table, but I can tell you that New Faces are worth checking out and someday soon I hope to have a copy of their album.

At this point of the night I started to yawn and feel groggy. It was almost 1am before Man Plus finally hit the stage. During the first song lead singer Jared Mills jumped down into the crowd and herded the Man Plus faithful towards the stage like cattle to the slaughter. I guess he thought everyone was too far away for the performance.

The band played a 30 or 40 minute set of mostly new material. The sound was great, and singer Ellen Mills could be heard much easier on this night than at their Block Party gig. The band was tight and they obviously enjoy playing in front of people, but it was late and even the band members suffered from a lack of energy by the time their set was over. I can't blame them. It has to be really difficult to sit around to sit around for so many hours before trying to rock the house. The people danced and sang along to the songs that they knew, which unfortunately were few and far between. Block Party crowd pleaser, "Not For All the Cocaine In the World" was absent from the set list as were the majority of songs on their last LP The Hungarian Suicide Songbook. I think that the only songs off the album that they played last night were, "A Ghost Is A Ghost Is A Ghost Is A Ghost," "What I Like About Love," and the last night's show stealer(and excellent closing number), "My Kind of People."

Despite the late night, Man Plus continues to rock, and they are a band on the rise that you certainly need to check out.

My night ended with Man Plus member Ellen talking about Maria Taylor, Azure Ray, and She & Him. In other words, her musical taste is as great as her band's talent.

Monday, July 28, 2008

Music: Capitol Hill Block Party Day 2





The first band that I saw on day 2 was Seattle's own Man Plus! That's the uber-charismatic Jared pictured performing in the crowd.

Watching Man Plus perform is a high energy affair. By the end of the show it's difficult to remember things such as, "How many people are in that band?" The current answer is 6. It's hard to remember not because there are so many people on stage, but because one man dominates your attention for the entire performance. That one man is lead vocalist Jared Mills. He danced, he crooned, he screamed, he lost pints of sweat, and he even bled for the Man Plus faithful who had gathered to witness their performance at the Vera Project stage.

Man Plus live video
The highlight of the show can be seen in the above video link as Jared jumps down into the crowd to perform, "Not For All the Cocaine In the World" from the album The Hungarian Suicide Handbook.

You can catch Man Plus next on August 16th at the High Dive in Seattle. It's a show that you won't want to miss.

When I arrived at the Block Party on Saturday I walked in to see Kimya Dawson finishing up her set on the main stage. I stood there for a moment and wondered if this is one of the largest crowds that she has ever performed in front of. The one time that I saw the Moldy Peaches in 2002 they played to a crowd of about 400. Since I have moved to Seattle Kimya has played solo shows at the Dearborn on Woodland which is a tiny TINY space which can not hold much more than 50 people. And 50 would be absolutely packing that place. She also played a gig at a house venue, The Green House at the end of last year in a small basement place of similar capacity. It was a little mind boggling to see her in such intimate spaces to playing for a few thousand in the middle of Seattle.

I spent a lot of the early evening inside King Cobra drinking strongbow and eating sweet potato fries. I highly recommend the sweet potato fries.

At this point in the day I went around to check out all of the groups who were tabling. I made my way to theBabeland table. They had a ringtoss game where you had to get the rings to stay on strap-on dildos that were strapped to Star Wars character standees. I won a silver bullet vibrator, thanks babeland!

From there I walked by the Democrats table (the republicans were nowhere to be seen) and I glanced over at the buttons that they had laid out. "Oh my god!" I exclaimed, "What do I have to do to get that one!" "It's a dollar." "SOLD!" And I walked away giggling at my new "For those about to BARACK, we salute you!" button. "BARACK" is written in the ACDC font.

After the tables I met up with Jessica who manages Man Plus. I told her about the performance earlier. She was stuck behind the merch table and did not have much of a vantage point to actually see them play. Her and I almost randomly wandered back over towards the Vera Project stage. Neither one of us had bothered to check out the schedule to see what band was playing. We just decided to see what was going on over there. I am so glad that we did.

As we approached San Diego band Grand Ole Party was already playing to a good sized crowd. A song into being there Jessica and I were saying to each other, "Hey, they are really good," and she made the first Pretenders reference to the band.

Lead singer/drummer Kristin Gundred had us captivated with her amazing voice that she was really letting loose on this night. Two songs in we said, "They are really fucking good!" And three songs in Jessica and I retreated to the merch table to buy their album while I talked about how I am now in love with Gundred.

As we continued to watch the live show Jessica and I also perused the liner notes. While I was overly excited to learn that Blake Sennett(Rilo Kiley, The Elected) produced the album Jessica pointed out that Gundred has a wedding ring on in one of the photos. "So? People don't stay married forever!" I retorted.

I also sent a text message to several friends at the Block Party that they needed to stop what they were doing and head over to see this band. I asked Jessica if I could have her all access wristband. "Why, so you can go ruin a marriage?" "Absolutely!" She declined, and I was left with only an album to remember the experience.

After my new favorite band
finished up I was able to get about 4 people deep from the front of the mainstage to see Devotchka close out the entire weekend. DeVotchka continues to put on one of the best live shows that I have ever seen. Despite Nick Urata being without a bottle of wine the band was in top form. Watching Tom Hagerman play the violin live is a spiritual experience, and something that I will never get tired of seeing. Their set included covers of Frank Sinatra, Ted Thacker, and the Velvet Underground(Devotchka does one of the best covers of "Venus In Furs" around).

The biggest crowd pop of the night was when the opening synth of "How It Ends" hit. During the chorus Nick turned the mic around to face the audience and seemingly all of Seattle sang along.

Devotchka closed their set with, "Such a Lovely Thing" which is very fitting. The song's lyrics include:

you only love me when I’m leaving,
you only love me ‘cause I’m leaving,
you only love me when I’m leaving,
you only love me ‘cause I’m leaving tonight

The crowd wanted to see an encore so bad, but it was 12:00AM on the dot and the show was over. Devotchka played for almost a full hour and a half, and it was an amazing, and fitting, end to the weekend.