Showing posts with label Neumos. Show all posts
Showing posts with label Neumos. Show all posts

Friday, August 22, 2008

Music: Hey Marseilles Takes Over the World



If you were in Seattle last night and you missed the Hey Marseilles CD release party at Neumos, well it sucks to be you!

I have referred to Hey Marseilles as my favorite local band for most of this year. My friend Jimmer offered me a free ticket to see them at the High Dive back in January or February. That night I downloaded their 4 song EP and put it on while I was getting ready for bed. I was halfway through the first song, "To Travels and Trunks" when I stopped what I was doing and sat down to give the songs my full intention.

The band is a 7 piece that includes several multi instrumentalists as well as multi part harmonies. They have strings, an accordion, a trumpet, and the bass gets passed amongst a few of the band members depending on the song. All 7 are excellent musicians, and even the drummer steps out from behind the kit for some choice harmonies during the set.

The video above is how they opened last night's CD release party at Neumo's. They start off with the instrumental, "Marseilles" and transition smoothly into "To Travels and Trunks." The crowd erupted, and the energy continued to build all night long until they closed with, "Goodbye Versailles," which the crowd followed with mass applause and a very loud, "One more song," chant that unfortunately for everyone involved did not result in an encore. The band remained on stage breaking down their equipment, shaking hands, saying, "thank you," to fans, and signing copies of the newly released CD left and right.

Last night, August 21, 2008 is the night that Hey Marseilles broke through. Last night was the night that everything changed.

I have seen Hey Marseilles play at a couple different clubs around Seattle, in the foyer of the Vera Project(that's right, not even on the main stage), and at a house show at the Greenhouse. The show last night at Neumo's was at least 3 times larger than any other crowd I have seen for a Hey Marseilles show. There were people in home made t-shirts. Seemingly every group of people had brought at least one person a long who had never seen the band before. My friend Molly came along just for fun and she pointed to her smile and said, "Do you see this? I can't stop doing this!"

It was a super hot crowd who moved with the music, sang along loudly, and went crazy for the smooth transitions that occur when things like, the viola player puts down his instrument mid song to play the bass.

At one point Dan turned to Abby who I had just met and he said, "Look at Jon. He looks so happy!" I was Dan, I certainly was.

The band was obviously in awe of the crowd, and they fed off that energy in their live performance. Most of the between song banter was relegated to thanking us all for being there, thanking us for supporting the band, and oh yah by the way there are CDs for sale.

This was the second best live show that I have seen this year. I can only rank the Flaming Lips and their UFO show at Sasquatch ahead of last night's performance.

Hey Marseilles is about to become huge, and it's time that you took notice.

Their debut full length To Travels and Trunks is available via iTunes as well as the band's website.

They also have a myspace page. Though apparently they do not currently have any future dates scheduled.

Thursday, July 31, 2008

Music: Conor Oberst and the Mystic Valley Band



Last night at a sold out and ridiculously hot Neumo's I was fortunate enough to see Conor Oberst and the Mystic Valley Band.

How hot was Neumo's? My friend Megan left about halfway through the show because she felt like she was going to pass out at any moment. During the encore I had sweat literally running down my face as I thought, "If this was anyone else, I would leave about now."

I have been inside some really sweltering hot music venues in my life, but last night was just ridiculous. Even more so when you factor in that last night's temperature in Seattle was below 70 degrees. Seriously people, have your security crack open an exit door every now and then!



Indie heartthrob Conor Oberst was in high spirits last night. He looked much less emaciated than he had on the last couple of Bright Eyes tours. I joked to my friends that he appears to have been eating since the last time I saw him.

The girls screaming, "I love you Conor!" were more quiet than at your typical Bright Eyes show, and, as per usual, Conor no sold those catcalls all night refusing to even look up when they occurred. He only responded to things yelled from the audience on two occasions. Once during the encore when someone yelled out if he could sign their album, "I can do that," he said. And throughout the next song, which he only lang backup on, he scouted the front of the stage thanking fans for being there and signing additional copies of albums.

His other interaction happened when someone screamed out, "Do you want a cigarette?" "I do," he said, "but you can't smoke in here. I'm playing by the rules tonight."

Jason Boesel(Rilo Kiley, The Elected, various Bright Eyes incarnations) was behind the drums last night, and aside from The Faint's Clark Baechle, is probably the most exciting live drummer working today. He sings backup, he rocks out, and unlike many drummers he has the charisma and stage presence to draw your attention to him.

The Conor Oberst album doesn't actually come out until next week, so I was not familiar with most of the songs. I have a few of the songs from last year's gigs at Minneapolis' 400 Club. Those two shows were the public debut of Conor Oberst and the Mystic Valley Band. There is a song from there called, "Breezy" which is not included on the album, but they used that as the encore closer last night. It's a quiet tune about wanting to feel at home, wanting to be home. You know, some of those reoccurring themes from a 28 year old musician who has spent most of the past 10 years on the road.

All in all the band played 16 songs and played for over an hour and a half(subtracting the encore break). Which is all pretty awesome considering that the album only contains 12 tracks.

You can preorder the Conor Oberst self titled release direct from MERGE here.

Conor Oberst and the Mystic Valley Band continue to tour the world through November. You should definitely check them out on one of these dates:

07-31 Bend, OR - Midtown Ballroom *
08-01 San Francisco, CA - Bottom of the Hill *
08-02 San Francisco, CA - Bottom of the Hill *
08-03 Santa Cruz, CA - Rio Theatre *
08-05 West Hollywood, CA - Troubadour *
08-08 Nashville, TN - Mercy Lounge !
08-09 Carrboro, NC - Cat's Cradle !
08-10 Norfolk, VA - The NorVa !
08-11 Philadelphia, PA - Trocadero !
08-12 New York, NY - Bowery Ballroom !
08-17 Saratoga, NY - Saratoga Music Festival
08-22 Leeds, England - Leeds Festival
08-23 Birmingham, England - Academy 2
08-24 Reading, England - Reading Festival
08-26 Portsmouth, England - Wedgewood Rooms
08-27 London, England - Electric Ballroom
08-28 Manchester, England -Academy 2
08-29 Argyll, Scotland - Hydro Connect Music Festival
08-30 Belfast, Northern Ireland - Spring and Airbrake
08-31 Stradbally, Ireland - Electric Picnic Festival
09-02 Amsterdam, Netherlands - Melkweg
09-03 Brussels, Belgium - Botanique
09-04 Luxembourg, Luxembourg - Den Atelier
09-05 Zurich, Switzerland - Rote Fabrik
09-07 Munich, Germany - Backstage Werk
09-08 Zagreb, Croatia - Studenski
09-09 Vienna, Austria - Arena
09-10 Prague, Czech Republic - Roxy
09-11 Cologne, Germany - Gloria
09-12 Dorset, England - End of the Road Festival
09-13 Paris, France - Nouveau Casino
09-14 Mannheim, Germany - Alte Feuerwache
09-15 Berlin, Germany - Columbia Club
09-20 Omaha, NE - Anchor Inn
09-21 Nashville, TN - Ryman Auditorium %
09-22 Knoxville, TN - Bijou Theatre %
09-23 Fayetteville, AR - George's Majestic Lounge %
09-24 Oxford, MS - The Lyric %
09-25 Tulsa, OK - Cain's Ballroom %
09-27 Austin, TX - Zilker Park (Austin City Limits Festival)
10-02 Melbourne, Australia - The Palace
10-03 Brisbane, Australia - Tivoli
10-04 Sydney, Australia - Enmore
10-05 Sydney, Australia - Great Escape
10-21 Los Angeles, CA - Music Box @ Fonda
10-22 Los Angeles, CA - Music Box @ Fonda
10-24 San Francisco, CA - The Warfield
11-08 New York, NY - Terminal 5
11-09 New York, NY - Terminal 5

Tuesday, July 15, 2008

Fun with Wolf Parade continues, Foals are stunning


Yesterday morning Neumo's sent out an e-mail officially announcing that the Super Secret Guest was indeed Wolf Parade, and that English band Foals had also been added to the lineup.

At 7pm(an hour before doors)there were still tickets available for the show. When I actually entered the venue around 10:20pm it was sold out.

It appears that the recent police reinterpretation of the capacity of Neumo's has ceased. This was the first sold out show at Neumo's in months that actually felt like a sold out show. Packed floor, full balcony.

I arrived just in time to see Foals take the stage. They also played the Sub Pop 20 this weekend, and I of course did not see them. The band set up on stage almost in a circle, facing each other most of the time and not the audience. It was like a punk/indie dance drum circle. Bands members leaned on each other and slammed into one another at various times. They put on a hell of a show and the Seattle crowd was, as usual, super hot and just ate up everything the band threw their way.

The highlight of their set was during their next to last song lead singer Yannis Philippakis disappeared into the crowd. At this point I wandered over to the bar and next to me was Yannis Philippakis! He downed a drink and then headed back to the stage. It was quite simply, amazing.

Foals had no merch at the tables. This saddened me to no end.

Wolf Parade then came on for the main event. I was slightly disappointed to realize that the sound girl who I was silently swooning over at Sub Pop 20 was not a local. She actually was the sound tech(or some similar title) for Wolf Parade.

I remember when it seemed that bands played 90 minutes plus standard. In recent years I've been lucky if I see a band play a full hour before the encore break. Wolf Parade played over 3 hours the last two nights combined.

Last night's set, like their set at Sub Pop, closed with At Mount Zoomer "Kissing the Beehive" which clocks in with a runtime of 10:46. It's a song that highlights everything that Wolf Parade brings to the table, and it's epic nature is a great live experience.

I got an e-mail from a friend in Portland mentioning that Wolf Parade is playing there tonight and that I should go down to see it. I'm not. I figure two days in a row is probably plenty Wold Parade for me right now.

Props to Wolf Parade for having vinyl priced at below the CDs on the merch table.